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Alain Bonardi, and Francis Rousseaux, Considering Stage Direction as Building Informed Virtual Environments. JVRB - Journal of Virtual Reality and Broadcasting, 6(2009), no. 10. (urn:nbn:de:0009-6-24333)

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%0 Journal Article
%T Considering Stage Direction as Building Informed Virtual 		 Environments
%A Bonardi, Alain
%A Rousseaux, Francis
%J JVRB - Journal of Virtual Reality and Broadcasting
%D 2010
%V 6(2009)
%N 10
%@ 1860-2037
%F bonardi2010
%X This article begins with some recent considerationsabout real-time music, inspired by the latest contributionof French composer Philippe Manoury. Then,through the case study of the scenic performance LaTraversée de la nuit, we analyse some perspectives fordesigning an Informed Virtual Environment dedicatedto live show artistic domain.
%L 004
%K Artistic performance and live show
%K Contemporary music
%K Husserlian retention/protention
%K IRCAM
%K Informed Virtual Environments
%K Score following
%K Sensorial multimodality
%K Turning voice emotion into graphical movement
%K Virtual composition vs. improvisation
%K Visual avatar of an oral emotion
%R 10.20385/1860-2037/6.2009.10
%U http://nbn-resolving.de/urn:nbn:de:0009-6-24333
%U http://dx.doi.org/10.20385/1860-2037/6.2009.10
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Bibtex

@Article{bonardi2010,
  author = 	"Bonardi, Alain
		and Rousseaux, Francis",
  title = 	"Considering Stage Direction as Building Informed Virtual 		 Environments",
  journal = 	"JVRB - Journal of Virtual Reality and Broadcasting",
  year = 	"2010",
  volume = 	"6(2009)",
  number = 	"10",
  keywords = 	"Artistic performance and live show; Contemporary music; Husserlian retention/protention; IRCAM; Informed Virtual Environments; Score following; Sensorial multimodality; Turning voice emotion into graphical movement; Virtual composition vs. improvisation; Visual avatar of an oral emotion",
  abstract = 	"This article begins with some recent considerationsabout real-time music, inspired by the latest contributionof French composer Philippe Manoury. Then,through the case study of the scenic performance LaTravers{\'e}e de la nuit, we analyse some perspectives fordesigning an Informed Virtual Environment dedicatedto live show artistic domain.",
  issn = 	"1860-2037",
  doi = 	"10.20385/1860-2037/6.2009.10",
  url = 	"http://nbn-resolving.de/urn:nbn:de:0009-6-24333"
}
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RIS

TY  - JOUR
AU  - Bonardi, Alain
AU  - Rousseaux, Francis
PY  - 2010
DA  - 2010//
TI  - Considering Stage Direction as Building Informed Virtual 		 Environments
JO  - JVRB - Journal of Virtual Reality and Broadcasting
VL  - 6(2009)
IS  - 10
KW  - Artistic performance and live show
KW  - Contemporary music
KW  - Husserlian retention/protention
KW  - IRCAM
KW  - Informed Virtual Environments
KW  - Score following
KW  - Sensorial multimodality
KW  - Turning voice emotion into graphical movement
KW  - Virtual composition vs. improvisation
KW  - Visual avatar of an oral emotion
AB  - This article begins with some recent considerationsabout real-time music, inspired by the latest contributionof French composer Philippe Manoury. Then,through the case study of the scenic performance LaTraversée de la nuit, we analyse some perspectives fordesigning an Informed Virtual Environment dedicatedto live show artistic domain.
SN  - 1860-2037
UR  - http://nbn-resolving.de/urn:nbn:de:0009-6-24333
DO  - 10.20385/1860-2037/6.2009.10
ID  - bonardi2010
ER  -
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Wordbib

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ISI

PT Journal
AU Bonardi, A
   Rousseaux, F
TI Considering Stage Direction as Building Informed Virtual 		 Environments
SO JVRB - Journal of Virtual Reality and Broadcasting
PY 2010
VL 6(2009)
IS 10
DI 10.20385/1860-2037/6.2009.10
DE Artistic performance and live show; Contemporary music; Husserlian retention/protention; IRCAM; Informed Virtual Environments; Score following; Sensorial multimodality; Turning voice emotion into graphical movement; Virtual composition vs. improvisation; Visual avatar of an oral emotion
AB This article begins with some recent considerationsabout real-time music, inspired by the latest contributionof French composer Philippe Manoury. Then,through the case study of the scenic performance LaTraversée de la nuit, we analyse some perspectives fordesigning an Informed Virtual Environment dedicatedto live show artistic domain.
ER
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Mods

<mods>
  <titleInfo>
    <title>Considering Stage Direction as Building Informed Virtual 		 Environments</title>
  </titleInfo>
  <name type="personal">
    <namePart type="family">Bonardi</namePart>
    <namePart type="given">Alain</namePart>
  </name>
  <name type="personal">
    <namePart type="family">Rousseaux</namePart>
    <namePart type="given">Francis</namePart>
  </name>
  <abstract>This article begins with some recent considerations
about real-time music, inspired by the latest contribution
of French composer Philippe Manoury. Then,
through the case study of the scenic performance La
Traversée de la nuit, we analyse some perspectives for
designing an Informed Virtual Environment dedicated
to live show artistic domain.</abstract>
  <subject>
    <topic>Artistic performance and live show</topic>
    <topic>Contemporary music</topic>
    <topic>Husserlian retention/protention</topic>
    <topic>IRCAM</topic>
    <topic>Informed Virtual Environments</topic>
    <topic>Score following</topic>
    <topic>Sensorial multimodality</topic>
    <topic>Turning voice emotion into graphical movement</topic>
    <topic>Virtual composition vs. improvisation</topic>
    <topic>Visual avatar of an oral emotion</topic>
  </subject>
  <classification authority="ddc">004</classification>
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    <genre>academic journal</genre>
    <titleInfo>
      <title>JVRB - Journal of Virtual Reality and Broadcasting</title>
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        <number>6(2009)</number>
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      <detail type="issue">
        <number>10</number>
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      <date>2010</date>
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  <identifier type="uri">http://nbn-resolving.de/urn:nbn:de:0009-6-24333</identifier>
  <identifier type="citekey">bonardi2010</identifier>
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Full Metadata

Bibliographic Citation JVRB, 6(2009), no. 10.
Title

Considering Stage Direction as Building Informed Virtual Environments (eng)
Author Alain Bonardi, Francis Rousseaux
Language eng
Abstract This article begins with some recent considerations about real-time music, inspired by the latest contribution of French composer Philippe Manoury. Then, through the case study of the scenic performance La Traversée de la nuit, we analyse some perspectives for designing an Informed Virtual Environment dedicated to live show artistic domain.
Subject Artistic performance and live show, Contemporary music, Husserlian retention/protention, IRCAM, Informed Virtual Environments, Score following, Sensorial multimodality, Turning voice emotion into graphical movement, Virtual composition vs. improvisation, Visual avatar of an oral emotion
Classified Subjects
swd
  • 4319894-6, Husserl, Edmund / Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins
  • 4127993-1, Improvisation
  • 4428235-7, Neue Musik
  • 4143388-9, Aufführung
  • 4027223-0, Inszenierung
  • 4830853-5, Multimodales System
  • 4711803-9, Avatar <Informatik>
DDC 004
Rights DPPL
URN: urn:nbn:de:0009-6-24333
DOI https://doi.org/10.20385/1860-2037/6.2009.10